Month: February 2007
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(musicTheory2) Lecture Notes: Harmonic Sequences
[Note: To print this post (not all of the posts), click on the title of the post. This takes you to a page with only this post and the side bars. Print that page, usually starting with page 2 in your print settings dialog. The first page-and-a-half contains the sidebar information.] Harmonic Sequence Defined A…
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(compMus1) Assignment: Project 1 evaluation
mp3 files of all projects that were supplied as data files are now posted at kkothman.iweb.bsu.edu/mumet140-s07/project1mp3.htm . Listen to the projects. Choose 3 projects to evaluate (not your own). Email me your evaluation (kkothman [at] bsu [dot] edu). Be sure to cover the areas of creativity (were the sound manipulations and edits creative?), and audio…
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(compMus1) Reading Assignment (EM)
Read: The Electronic Century Part II: Tales of the Tape (Electronic Musician, Joel Chadabe) Pay attention to the development and use of the tape recorder, the development of music concrete (who was involved, and where), the development of electronic studios in Paris and Cologne (and how they initially differed), what was important at the Brussels…
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(compMus1) Individual Meeting Time
Next week (2/27 and 3/1) I’ll meet with you individually to go over your second creative project. We can talk about what you’ve done so far, what you could do to make things more creative, and what you need to do meet the project requirements. Please email me (kkothman [at] bsu [dot] edu) your preferred…
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(musicTheory2) Quiz Postponed until Monday 2/19
BSU is canceling morning classes on 2/14, which means that the quiz originally scheduled for Friday (2/16) will take place on Monday (2/19). I’ll have graded homework to hand back on Friday, and we’ll review for the quiz.
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(musicTheory2) Lecture Notes: Leading Tone Seventh Chords (2)
Focus on resolving the two tritones properly. In all cases except vii°6-5, resolving d5’s in and A4’s out by step will give the proper chord resolution. Note: resolving the tritones leaves you with a doubled third in the tonic chord.
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(musicTheory2) Lecture Notes: Ch. 19, other seventh chords
The subdominant seventh (IV7 and iv7): another choice to harmonize scale-degree 3-2-1 descents at cadences, but unlike the cadential 6-4 can be on a strong or weak beat. The third of the iv7 must leap down to double the fifth of the V chord to avoid parallel fifths. can be part of V – IV6-5…
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(musicTheory2) Assignment: Ch. 19-2
More on Leading Tone Seventh chords: Wkbk: pp. 157 – 158, #5A, #6B
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(compMus1) Reading Assignment: MSP Tutorials
I’ve fixed the link for the MSP tutorials pdf. You can jump to the post here.