Author: Keith Kothman
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(must625) project 2: musique concrete, midi, and virtual instruments
Due Thursday, June 4, at beginning of class. overview Compose a short work (75 – 90 seconds, 1’15 – 1’30) utilizing musique concrète techniques. You will process audio as before in Audacity and Audition, and assemble in Logic Pro X, with the addition of using a virtual sampler (EXS24) to further process audio samples. You are encouraged…
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(must625) working with midi in logic pro x
Two previous posts will help you get started: (sonicArts) midi recording in logic pro x (sonicArts) some basic midi editing in logic pro x
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(must625) logic pro x intro posts
Working with Logic Pro X requires some attention to program setup (preferences) and how to use audio within tracks. Knowing some keyboard shortcuts also helps. The very first thing you should do after launching Logic Pro X is to turn on Show Advanced Tools (Logic Pro X > Preferences > Advanced Tools…) and turn on Show Advanced…
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(must625) listening list 1
Due Friday, May 22 Create listening guides for the following pieces: Gyorgy Ligeti, Artikulation Edgard Varese, Poeme Electronique and two of the following: James Tenney, Collage #1: Blue Suede Pierre Henry, Variations on a Door and Sigh (excerpt) Richard Karpen, Mass Ake Parmerud, Cut 1, 2, 3 Progress You should download the entire set of works, available here. The Ligeti, Varese,…
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(must625) how to make a listening guide for electronic music
Instead of memorizing works in a short session, I’d rather you engage a smaller number of pieces in more depth. To that end I want you to make a listening guide for assigned pieces. Instructions for making a listening guide can be found in this previous post.
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(must625) starting and working on a musique concrete project
Starting your first musique concrete project usually requires a new way of thinking about music and working with sound in general. To help you organize your work in the early stages, I’m linking to some previous posts that summarize some key points, tools, and procedures. musique concrete: starting your piece 1 musique concrete: starting your piece…
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(must625) project 1: musique concrete
Due Thursday, May 21, at beginning of class. overview Compose a short work (45 – 60 seconds) utilizing musique concrète techniques. You will process your sounds in Audacity and/or Audition, and assemble/compose them in Logic Pro X. You should use three to five original sound sources. You will edit and process your sounds using the…
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(must625) audacity audio editor (free)
You can download Audacity, a free audio editor for Mac and Windows, at SourceForge.
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(must625) second readings – digital audio
From teachingmusic: analog recording, digital recording, digital sampling theory From Hass: chapter 5: digital audio
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(must625) first assignments – soundwalk and readings
The soundwalk assignment is posted. Please read the following by Wednesday: from teachingmusic properties of audio from Jeffrey Hass’s projects in electronic music online text chapter 1, sections 1, 2, 4, and 5