Category: lectureNotes_musth3
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(musTh211) Ch. 27: Analysis of Modulating Works
Review Topics: Harmonic Progression Essential and non-essential harmonies Reductions: Voice-leading: reduce/convert to block chords, or chorale-style harmonies, with all voices present. You may not end up with a strict SATB reduction, but you will usually have to supply a few notes here and there (especially in inner voices) to create logical parts. Usually you will…
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(musTh211) Ch. 27: Mod. to closely related keys, harmonizing melodies
Harmonizing melodies with modulations to closely related keys involves a bit of long-range planning. Since analyzing the entire melody with scale degrees in the original key won’t help with modulations, you need to start a little more schematically. Start by examining the melody at cadences, specifically looking for the two-note melodic cadence. Figure out the…
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(musTh211) Ch. 27: Modulation to Closely Related Keys, pt. 1
Today’s key topics: Closely-Related Key no more than one accidental difference between key signatures new tonic chord of closely-related key is diatonic to original key Common-Chord (Pivot) Modulation pivot chord is usually chord before new dominant pivot chord must be diatonic in both keys Chromatic Modulation usually involves direct motion to a dominant-class harmony (V…
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(musTh211) The welcome mat is out…
First Day odds and ends: A copy of the syllabus is online. Read ahead. Chapter 27 of the Gauldin is up next. To post comments/replies on my blog, you have to have a WordPress account. Go to wordpress.com, follow the “Sign up Now!” link, and be sure to select “just a username, please” option at…