Due Tuesday, 2/3.
Read pp. 41 – 56 (the beginning of Chapter 2) in E/E, and answer the following questions:
- Name the two French Pierre’s who helped pioneer the construction of music using sound recording tools.
- The sound object (l’objet sonore) contains what three dimensions?
- Why is the idea of the sound object is critically important for composing music concrete?
- What was the significance of the Etudes de bruits to the second era of electronic music?
- What did Pierre Henry’s presence bring to Pierre Schaeffer’s studio and work?
- Schaeffer and Henry had different starting points, or ways that they worked with their recorded sounds. Explain the difference, very briefly.
Use the subject “music concrete” for your email.
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