Category: assignments_musth2

Workbook: pp. 195 – 196, #1 (A, B, C)

p. 189, 4 B and C pp. 191 – 2, 6 A (answer two questions on 191; Don’t do the reduction) due: 3/26

pp. 186 – 7; 2 all and 3 B due 3/21

(Due 3/5) Workbook: p. 179, 4C (given figured bass, add alto and tenor, Roman numerals. Unless the secondary dominant seventh or LEADING TONE SEVENTH substitutes for a predominant, enclose the Roman numeral in parentheses. Note: there is an error with the figured bass on the second beat of the first measure. The slash-4 over natural…

Workbook, pp. 175 – 177. #1 and #2, all. Be sure to check out the lecture notes for the topic.

Workbook p. 167 #2 D and E (instructions from p. 166: The passages in Example 20.2 employ more elaborated textures. Complete them in sequential fashion, noting that examples A – C employ thre-voice texture. Identify the basic type of sequence illustrated in each passage, as in Example 20.1. Place a framing Roman numeral at the…

Workbook pp. 165 – 166, #1 A and C, #2 A. (due 2/23)

More on Leading Tone Seventh chords: Wkbk: pp. 157 – 158, #5A, #6B

Wkbk: p. 155, #3 A – F (due Friday) Follow directions on p. 154 carefully. Complete in four voices.